Grading Rubric (Jon Hegglund, 1998)

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This grading rubric was written by Jon Hegglund in 1998 and edited by Zia Isola in Summer 2003.

Contents

[edit] Jon's Totally Unscientific and Idiosyncratic Grading Guidelines

First, some things to remember:

  • Grading guidelines should be contingent on the nature and length of the assignment. A 2-page paper will be asking for something different than an 8-page paper, for example. In the same way, a research paper will be asking for a different kind of writing than a position paper or close textual analysis paper.
  • Your grading standards can change throughout the quarter--you might grade a bit more rigorously on the first paper to get students to work harder, for example.
  • Although your job is ostensibly teaching and evaluating literary analysis, like it or not, you're also a writing instructor--grading is a balancing act between these two roles.
  • Grading is finally subjective--and your students know this. Be explicit about what you're looking for.

[edit] An A Paper

An A paper--"Oh, yeah!"

  • teaches me something new
  • "original" idea or synthesis of ideas that takes course material beyond lecture/discussion
  • not limited by a vague assignment, does justice to a sophisticated assignment
  • specific, "risky" thesis that is supported abundantly and effectively
  • clear, effective prose with precise diction, distinctive voice, and consistent point of view
  • knows when to shut up

[edit] A B Paper

A B paper--"Okay..."

  • capable reproduction of ideas covered in class, or interesting, but slightly misguided ideas
  • engages assignment, but in a limited way
  • thesis is there, but maybe a little too broad, or not concisely stated; support sometimes inappropriate or sparse
  • readable prose that communicates ideas capably with a few grammatical or sentence variation problems
  • can usually be described as either "awkward insight" or "glib mediocrity"

[edit] A C Paper

A C paper--"Uh-oh."

  • not much critical thought
  • potentially productive ideas hampered by organizational problems
  • consistently avoids or misunderstands assignment or question
  • thesis either extremely superficial or nearly invisible; little textual support, ample plot summary
  • choppy, imprecise prose that hampers communication of ideas

[edit] A D-F Paper

A D-F paper--"Oh, no!"

  • ideas either incoherent or totally irrelevant to assignment
  • organizational disaster
  • no thesis
  • no relevant textual support
  • no continuity in the presentation of ideas
  • poor prose with abundant grammatical, syntactical, and spelling errors
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